(2012, Tupelo Press)
Order the book from Tupelo Press.
NEWS, NEWS, NEWS:
Alan Michael Parker's "Beach House as Nostalgia Museum" has been named a Notable Essay by the Editors of the 2013 Best American Essays.
"After Love," a new poem of AMP's, is up on Slate, along with an audio file. Thanks to Poetry Editor Robert Pinsky.
With thanks to Heather Treseler at Worcester State University, here's a reading featuring Joy Katz and Alan Michael Parker.
Long Division has been named one of two finalists for the 2013 Rilke Prize, for "a book written by a mid-career poet and published in the preceding year that demonstrates exceptional artistry and vision"; this year's winner is Animal Eye, by Paisley Rekdal of the University of Utah. The award comes with a $2500 prize and a reading in Denton, TX. Here's the audio.
Long Divison has been awarded the 2012 North Carolina Book Award, also known as the Roanoke-Chowan Award in Poetry. Previous recipients include Joseph Bathanti, Randall Jarrell, Dorianne Laux, Reynolds Price, and Carl Sandburg. Here's coverage of the news on the Davidson College site.
Long Division was named a finalist for the 2013 Eric Hofer Award.
Long Division was named one of two Honorable Mentions for the 2013 Brockman-Campbell Award, won by Kathryn Kirkpatrick for Our Held Animal Breath. The Brockman-Campbell Award is given annually "for the book of poetry judged to be the best published by a North Carolinian in the preceding year." Congratulations to Kathryn Kirkpatrick.
There's new work in the works: look for poems by AMP in American Poetry Review, The New Republic, Slate, The Yale Review, Tikkun, Obsessions: Sestinas in the Twenty-first Century (Whitlow & Krysl, eds.), and elsewhere.
BUT MORE... HERE'S THE BIO...
Douglas C. Houchens Professor of English at Davidson College, Alan Michael Parker has written three novels, Cry Uncle, Whale Man (WordFarm, 2011) and The Committee on Town Happiness (Dzanc Books, 2014), along with seven collections of poems: Days Like Prose, The Vandals, Love Song with Motor Vehicles, A Peal of Sonnets, Elephants & Butterflies, Ten Days (with painter Herb Jackson), and Long Division (Tupelo Press, June, 2012). He served as Editor of The Imaginary Poets, and co-editor of two other volumes of scholarship. His poems have appeared in The American Poetry Review, The Gettysburg Review, Kenyon Review, The New Republic, The New Yorker, Paris Review, Pleiades, and The Yale Review, among other magazines, and in 2011 were anthologized in The Best American Poetry as well as The Pushcart Prize; his prose has appeared in journals including The Believer, The New York Times Book Review, and The New Yorker.
Alan Michael Parker has received numerous awards and fellowships, including three Pushcart Prizes, the Fineline Prize from the Mid-American Review, the 2013 Randall Jarrell Award, the Lucille Medwick Memorial Award from the Poetry Society of America, and the 2012 North Carolina Book Award for Long Division; his 2011 novel, Whale Man, was a finalist for the 2011 ForeWord Reviews's "Book of the Year Award" in the category of Literary Fiction. His essay, "Beach House as Nostalgia Museum," was named a Notable Essay by the editors of the 2013 Best American Essays.
As an undergraduate, AMP was invited to join the graduate poetry workshop at Washington University, where he studied with Donald Finkel, Howard Nemerov, and Mona Van Duyn. As a graduate student in the School of the Arts at Columbia University, where he received his M.F.A. in Writing, Alan Michael Parker studied with Carolyn Forche, Richard Howard, Denis Johnson, Stanley Kunitz, William Matthews, and Nobel Laureates Joseph Brodsky and Czeslaw Milosz.
Since 1998, Alan Michael Parker has taught at Davidson College, where he was promoted to the rank of Full Professor in 2007; in 2012, he was named Douglas C. Houchens Professor of English.
Additionally, as of January, 2014, AMP will join the faculty of the University of Tampa Low-Residency M.F.A. program, to work with graduate student writers in both poetry and fiction.
Writing in the Mid-American Review, John Freeman says: "I would guess that Parker's brand of ironic inquiry will keep the critics busy for quite a while. Not since Wallace Stevens has America produced a poet as complex and varied as he is accessible... a must for any serious reader of American poetry."